MOA’s First-Ever Nuxalk Exhibition Showcases Indigenous Sovereignty and Reclamation in ‘Nuxalk Strong’

New MOA Exhibition Showcases Indigenous Sovereignty and Reclamation in First-Ever Exhibition Dedicated to Nuxalk Nation:

— Nuxalk Strong: Dancing Down the Eyelashes of the Sun —

Exhibition highlights the reawakening of the Pacific Central Northwest Coast Nation’s

cultural practices and family belongings

The Museum of Anthropology (MOA) at UBC presents the world premiere of Nuxalk Strong: Dancing Down the Eyelashes of the Sun, on display at MOA from February 21, 2025–January 5, 2026. Co-curated by Dr. Snxakila—Clyde Tallio, Director of Culture and Language, Nuxalk Nation, and Dr. Jennifer Kramer, Curator, Pacific Northwest at MOA, this first-of-its-kind exhibition will be dedicated to showcasing the rich culture and worldview of the Nuxalk Nation, located in Bella Coola, B.C. The exhibition will present contemporary Nuxalk actions, rooted in ancestral rights and responsibilities, to strengthen and create robust futures for its community, including the revitalization of Nuxalk language, self-governance, stewardship, and ceremonial practices. Featuring treasures and artworks housed at MOA, and loans from six participating museums and private collections, Nuxalk Strong will highlight the strength and healing of the Nuxalk Nation following colonization, and how the community is now working with museums to support its efforts to safeguard belongings, treasures and ceremonies for future generations.

“Nuxalk Strong demonstrates the foresight of our Elders who strategically placed our treasures in museums for safekeeping at a time when our culture and language were being oppressed and we were forced to confine to colonial ways. In Nuxalk, this is known as putl’altnick – thinking and planning for those not yet born,” says Dr. Snxakila Clyde Tallio, co-curator of the exhibition. “Today, as our community works to rebuild our sovereignty, sustainable relations, and cultural traditions, we are also working towards reclaiming the masks, regalia, weavings, and carvings for the living generations to restore the knowledge and reveal the values found within these treasures.”

Adds Dr. Jennifer Kramer: “Nuxalk Strong offers an opportunity for Vancouver audiences to examine the role that institutions have historically played in removing and retaining Indigenous belongings far from their ancestral homes. This exhibition demonstrates how museums can participate in nuyayanlh – generous reciprocity by aiding and supporting the Nuxalk as they reclaim their sovereignty through reconnecting to their treasures.”

Nuxalk Strong will feature 71 treasures, many on loan from the Royal British Columbia Museum (Victoria), Burke Museum (Seattle), Glenbow Museum (Calgary), Manitoba Museum (Winnipeg), Museum of Vancouver, private collections, and from Nuxalk families. Highlighted items on display will include masks representing Syut – supernatural beings; yatn – raven rattles; and yakyanlh – mountain goat wool robes, including the yakyanlh that belonged to Tallio-Hans recently located in Alberta after being severed from the community 40 years ago; as well as examples of ceremonial items held within a family’s box of treasures, such as a ringed cedar bark potlatch hat and talking stick.

As part of the exhibition’s commitment to repatriation, there will be a significant collection of Nuxalk masks, regalia, and cedar bark weavings returned to the community at the close of the exhibition in 2026. These items were originally gifted to ethnographer TF McIlwraith when he worked with the Nuxalk in the early 1920s. McIlwraith’s descendants will return these physical treasures – as well as Nuxalk names that were ceremonially given to their father/grandfather – to the community, showcasing an important display of reconciliation in action.

The Nuxalk Nation have lived for more than 14,000 years on the central Northwest Coast. They are recognized globally for their distinct aesthetic and unique style of painting, carving and weaving, as well as the radiant colour of blue used on their masks and ceremonial regalia. These historic treasures materialize sovereign rights and responsibilities to steward the lands and waters and continue to inspire contemporary Nuxalk artists to once again tell the Smayusta – ancestral family origin stories.

Co-curators Tallio and Kramer first met in 2008, when Tallio came to review the Nuxalk treasures at MOA. Kramer had previously spent time in Bella Coola learning from Nuxalk artists and volunteered at the Nuxalk-run Acwsalcta School, which informed her PhD in cultural anthropology from Columbia University in 2003. Tallio is a fluent Nuxalk speaker and has dedicated the past 20 years to the revitalization of Nuxalk culture, language, and ceremonies. As Cultural Director of the Nuxalk Nation, he is managing the development of the Nation’s first Big House in more than 100 years. Nuxalk Strong is the first exhibition that Tallio and Kramer have curated together.

MOA will celebrate Nuxalk Strong’s opening night on Thursday, February 20, 2025, from 6 to 9pm, with free museum admission for all. To learn more about the exhibition, visit moa.ubc.ca

About MOA (moa.ubc.ca)

The Museum of Anthropology (MOA) at the University of British Columbia (UBC) is world-renowned for its collections, research, teaching, public programs and community connections. Its mission is to inspire an understanding of and respect for world arts and cultures. Today, Canada’s largest teaching museum is located in a spectacular Arthur Erickson-designed building overlooking mountains and sea. MOA’s collections consist of more than 50,000 cultural objects and artworks created in Asia, Africa, Oceania, Europe and the Americas — with a focus on the Pacific Northwest. MOA’s Multiversity Galleries: Ways of Knowing provide public access to many of these works. The Audain Gallery and the O’Brian Gallery, MOA’s feature exhibition spaces, showcase travelling exhibitions, as well as those developed in-house.

LISTING INFORMATION	MOA presents Nuxalk Strong: Dancing Down the Eyelashes of the Sun
Dates:	February 21, 2025 to January 5, 2026
Address:	Museum of Anthropology University of British Columbia 6393 NW Marine Drive, Vancouver, BC
Website:	moa.ubc.ca

Photo credits:

MOA_Nuxalk Strong_Clyde and AMNH Sun Mask_Photo credit Jennifer Kramer.jpg

Snxakila–Clyde Tallio holds a Nuxalk Sun mask at the American Museum of Natural History in 2017.
Photo by Jennifer Kramer, courtesy of the Museum of Anthropology at UBC.

MOA_Nuxalk Strong_Bus Shelter with Echo & Undersea Chief_Photo credit Snxakila Clyde Tallio
Anuximana–Jade Hanuse stands in front of a bus shelter she recently painted with representations of Q’umukwa (Great Spirit Chief of the Undersea World) and Sets’alan (Echo), supernatural beings part of the smayusta (history of the First Ancestors/ancestral origin stories) of the Schooner family.

Created by Anuximana–Jade Hanuse. Photo by Snxakila–Clyde Tallio, courtesy of the Museum of Anthropology at UBC.

MOA_ Nuxalk Strong_Alhkwalhtnak Territory Marker_Photo credit Snxakila Clyde Tallio

Nusq’lst Alhkw’alhtnak (territory marker) created by carpenter Nanutsaakas–Kyle Mack Tallio. It depicts the smayusta (history of the First Ancestors/ancestral origin stories) of the Mack family: their first Ancestor Nusq’lst and the Giant Nusq’lst before he was turned into a mountain. Created by carpenter Nanutsaakas–Kyle Mack Tallio. Photo by Matthew Wheelock, courtesy of the Museum of Anthropology at UBC.

MOA_Nuxalk Strong_Sputc Pole with Mountains and River_Photo credit Cody Rocko

Sputc pole designed by carpenter Wiiaqa7ay–Lyle Mack, standing at the shore of the Bella Coola River in Q’umk’uts, waiting to be re-dressed in new cedar bark regalia for the Sputc ceremony in March 2025.
Created by carpenter Wiiaqa7ay–Lyle Mack. Photo by Cody Rocko, courtesy of the Museum of Anthropology at UBC.

MOA_Nuxalk Strong_Marlene King with Bearfrog Mask_Photo credit Jennifer Kramer

Nuxalk knowledge holder, Marlene King, visits the Nuxalk collection at Museum of Vancouver in July 2022. Marlene was a member of the 2022 cohort of the Indigenous Internship Program at MOA.
Photo by Jennifer Kramer, courtesy of the Museum of Anthropology at UBC.

MOA_ Nuxalk Strong_Tallio Hans and Wife with Blankets_Photo courtesy of Royal British Columbia Museum
Photograph of Staltmc Anulhkw’ikmlayc–Tallio-Hans and his wife Yatsalt Anuskimalhnm and their son Lhkw’aakas–Willie Hans, c. 1910.

Royal British Columbia Museum collection PM # 11189. Photographer unrecorded, courtesy of the Indigenous Collections & Repatriation Department, Royal British Columbia Museum.

Media release provided by Murray Paterson Marketing Group.